Koko Killing Island: Tour d'Epicure
Inhwa Yeom, 2022. A 3D interactive work set in a fictional resort several centuries after the era of climate crisis.
The works move between virtual tourism, ritual objects, algorithmic sound, interactive games, deep-sea symbiosis, and robotic ceremony.
Inhwa Yeom, 2022. A 3D interactive work set in a fictional resort several centuries after the era of climate crisis.
Kohui. A continuous musical panorama composed from everyday patterns such as automobile routes, leaf structures, stock-chart movements, and ocean tides.
Jooyoung Oh, 2026 extended version. An arcade-style PC game with a controller, exploring "the cloud" as technological infrastructure and abstract spatial domain.
Yunyoung Jang, 2025. A single-channel AI-generated video following bioluminescent life from the deep sea toward the ocean surface, imagining co-evolution within rapidly changing marine ecosystems.
Sangdon Kim. Selected paintings and ceramic works from the artist's first solo exhibition in Hong Kong, centering on the egg as a metaphor for spiritual growth.
Picture Rhythm Studios and Studio for Narrative Spaces. Two synchronized robots perform a looping rain dance inside a post-apocalyptic climate landscape.