Koko Killing Island: Tour d'Epicure
Inhwa Yeom, 2022. A VR stage where audience-performers become eco-tourists on a virtual island after climate crisis.
The works move between virtual tourism, ritual objects, algorithmic sound, interactive games, deep-sea symbiosis, and robotic ceremony.
Inhwa Yeom, 2022. A VR stage where audience-performers become eco-tourists on a virtual island after climate crisis.
Kohui. A continuous musical panorama composed from everyday patterns such as automobile routes, leaf structures, stock-chart movements, and ocean tides.
Jooyoung Oh, 2021. A simulation/platformer/adventure game set in CLOUD, a floating city for climate refugees in 2051, where players must decide whether to follow orders that treat birds as pests or resist the city's rules.
Yunyoung Jang, 2025. A single-channel AI-generated image video following bioluminescent life from the deep sea toward the ocean surface, imagining co-evolution within rapidly changing marine ecosystems.
Sangdon Kim. The artist's latest work for the exhibition centers on eggs as forms of transformation, ritual, and collective resilience.
Picture Rhythm Studios and Studio for Narrative Spaces. Two synchronized robots perform a looping rain dance inside a post-apocalyptic climate landscape.