Inhwa Yeom 廉仁和
Inhwa Yeom works across VR, XR, performance, installation, and digital environments. Her speculative worlds often place audiences inside fictional systems where ecology, accessibility, subculture, and social rituals overlap.
Artists and creative studios whose works use speculative narrative, interaction, sound, games, robotics, and AI-generated imagery to imagine life after climate crisis.
Inhwa Yeom works across VR, XR, performance, installation, and digital environments. Her speculative worlds often place audiences inside fictional systems where ecology, accessibility, subculture, and social rituals overlap.
Sangdon Kim's contribution to the exhibition draws from a series of paintings and ceramics centered on the egg as a charged symbolic form, connecting spiritual transformation, Korean shamanic traditions, sociopolitical memory, and cosmic imagery.
Jooyoung Oh is a media artist and game designer whose interactive works question how future mobility systems shape perception, memory, control, and human decision-making inside technologically mediated environments.
Kohui's work in the exhibition transforms routes, natural patterns, market rhythms, and ocean tides into a sonic panorama, asking visitors to listen to forms of order normally seen as visual, statistical, or environmental.
Yunyoung Jang explores ecology, evolution, symbiosis, and the relationship between natural systems and machine perception. Her practice uses generative AI and game engines to imagine ecosystems where human and non-human subjects coexist.
Picture Rhythm Studios joins the exhibition's expanded field of moving image, sound, and speculative world-building, contributing to the dialogue between audiovisual rhythm and climate futures.
Studio for Narrative Spaces is a Hong Kong-based studio working with interactive storytelling, speculative design, and emerging technology. For this exhibition, the studio presents a collaborative climate-futures project alongside its curatorial role.