Inhwa Yeom 廉仁和
Inhwa Yeom works across VR, XR, performance, installation, and digital environments. Her speculative worlds often place audiences inside fictional systems where ecology, accessibility, subculture, and social rituals overlap.
Artists and creative studios whose works use speculative narrative, interaction, sound, games, robotics, and AI-generated imagery to imagine life after climate crisis.
Inhwa Yeom works across VR, XR, performance, installation, and digital environments. Her speculative worlds often place audiences inside fictional systems where ecology, accessibility, subculture, and social rituals overlap.
Sangdon Kim's contribution to the exhibition draws on the egg as a charged symbolic form, connecting spiritual transformation, Korean shamanic traditions, sociopolitical memory, and cosmic imagery.
Jooyoung Oh is a media artist and game designer whose works use interactive systems to question mobility, ecological hierarchy, and human decision-making inside future environments shaped by technology.
Kohui's work in the exhibition transforms routes, natural patterns, market rhythms, and ocean tides into a sonic panorama, asking visitors to listen to forms of order normally seen as visual, statistical, or environmental.
Yunyoung Jang explores ecology, evolution, symbiosis, and the relationship between natural systems and machine perception. Her practice uses generative AI and game engines to imagine ecosystems where human and non-human subjects coexist.
Picture Rhythm Studios joins the exhibition's expanded field of moving image, sound, and speculative world-building, contributing to the dialogue between audiovisual rhythm and climate futures.